Ben Goss

George Nelson and Charles and Ray Eames, one of the decisive figures of post-war American design. The focus of his broad oeuvre was on textile design: As head of the Herman Miller Company's textile division, Girard designed a multitude of textiles that reflect his love of festive colours and patterns. He favoured abstract and geometric forms, typically put together in bright constellations of colours. Alexander Girard's upholstery fabrics have lost none of their charm, and a range of classic Girard designs such as Quatrefoil, Names or Toostripe Orange are included in the Vitra and Maharam "Textiles of the 20th century" cushion collection. Having originally studied architecture, Girard made a name for himself over his long career in the fields of furniture, exhibition and interior design as well as in the graphic arts.
Ben Goss

Illustrator + Designer + Painter
Lives in Sydney, Australia.



Goss established his career as an illustrator in Sydney, the UK and USA. His Illustrations have appeared in The New York Times,The Guardian and Taschen books. He continues to work for a broad range of clients in the print media from corporate to editorial andhas fulfilled a number of painting commissions, including Qantas’ in flight catering artwork.













His paintings are indicative of his exploration within a consistent method of composition. The final work is the result of an instinctive process whereby an initial image is completed and then painted over in a process that “reveals and conceals”.



















say hello to ben @ hey@bengoss.com


Willem de Kooning



When de Kooning Was King
The Dutch Abstract Expressionist re-deļ¬ned New York cool.



When he returned to New York in the fall of 1956, not long after Jackson Pollock’s fatal car crash. The art world was now prepared to crown as its unrivaled leader the Dutchman who had arrived in America more than 30 years before as a penniless stowaway aboard a freighter from Rotterdam. New York had replaced Paris as the center of modern art, or so many critics and painters regularly proclaimed. If New York could not have Picasso, it must have its own reigning genius. The New York scene jelled on de Kooning’s doorstep. Throughout the fifties, young artists poured into the city, typically settling in the area becoming known as “Tenth Street,” a low-rent section of the Village between 8th and 12th streets and First and Sixth avenues. The center of the district was known as “de Kooning street”.




ABOUT

Willem de Kooning
b. 1904, Rotterdam, the Netherlands; d. 1997, East Hampton, N.Y.

From 1916 to 1925 he studied at night at the Academie van Beeldende Kunsten en Technische Wetenschappen, Rotterdam, while apprenticed to a commercial art and decorating firm and later working for an art director. In 1924 he visited museums in Belgium and studied further in Brussels and Antwerp. De Kooning came to the United States in 1926 and settled briefly in Hoboken, New Jersey. He worked as a house painter before moving to New York in 1927, where he met Stuart Davis, Arshile Gorky, and John Graham. He took various commercial art and odd jobs until 1935, when he was employed in the mural and easel divisions of the WPA Federal Art Project. Thereafter he painted full time. In the late 1930s his abstract and figurative work was primarily influenced by the Cubism and Surrealism of Pablo Picasso and also by Gorky, with whom he shared a studio.De Kooning became the
leading figure of the Abstract Expressionist School. He settled in the Springs, East Hampton, Long Island, in 1963.

inside this studio,
East Hampton, ny








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CURRENT EXHIBITION in NYC @ MOMA

de Kooning: A Retrospective
September 18, 2011–January 9, 2012

This is the first major museum exhibition devoted to the full scope of his career
Bringing together nearly 200 works from public and private collections, the exhibition will occupy the Museum’s entire sixth-floor gallery space, totaling approximately 17,000 square feet. Representing nearly every type of work de Kooning made, in both technique and subject matter, this retrospective includes paintings, sculptures, drawings, and prints. Among these are the artist’s most famous, landmark paintings-

*SWEET ! ROAD TRIP to NYC.